Office of Massimiliano Locatelli, 16th-century church in Milan
La Tourette, Le Corbusier, 1953
Maison Bordeaux, OMA, 1998
The Castle of Axel Vervoordt, Antwerp
Drawing, Constantin Brâncuşi
Residence in Milan, designed by Peter Marino
Giorgio de Chirico, La matinée angoissante, 1912
Black leather tabi-boots, Maison Martin Margiela, 1999
Rick Owens furniture exhibition at Galerie Philia
Alvar Aalto vase, 1937
Erich Consemüller, 1926, Bauhaus Archive Berlin
Yohji Yamamoto Spring/Summer 2019 Ready-to-Wear
Ann Demeulemeester, Autumn/Winter 2015
Adolf Loos, Villa Muller, 1930
Álvaro Siza, Casa Avelino Duarte, 1981
Issey Miyake, Spring Summer 1994
Prada, Spring Summer 1993
MR Cantilever Chair, Mies van der Rohe
Zumthor House, Peter Zumthor
’We met quite often and we discussed the question of how to handle angels. We talked about Rilke, Paul Klee, and images’ - Bruno Ganz, of filming ‘Wings of Desire’ with Wim Wenders. Images: Paul Klee, Angelus Novus (Walter Benjamin’s Angel of History). Wim Wenders on set.
Rolf Kunitsch, Under the Eiffel Tower, Paris 1965
Henri Cartier-Bresson. Alberto Giacometti. 1961
Ludwig Mies Van Der Rohe, Resor house projet
Zaha Hadid, The Peak Leisure Club, 1982
Robert Motherwell, Elegy to the Spanish Republic No. 70, 1961
Ann Demeulemeester, Fall 2022
Gallery of Eisenman's Evolution: Architecture, Syntax, and New Subjectivity
Dance Curves, Kandinsky
Richard Serra, between heaven and earth, 2014
The First Days of Spring, Salvador Dalí, 1929
The First Days of Spring, Salvador Dalí, 1929
Brett Whiteley, The Divided Unity, 1973
Cité Radieuse, Le Corbusier
Quinta de Santo Ovídio, Capela, Álvaro Siza
Design for the set of the film ‘Spellbound’, 1945, Salvador Dali
Mark Rothko, Untitled (White, Blacks, Greys, on Maroon) 1963